Editors : Sanchali Sarkar and Arpita Ghosh Shakespearean Afterlives --- Supriya Chaudhuri It was the art historian Aby Warburg who first applied the term "afterlife," or Nachleben, to the survival, reappearance, or reanimation of ideas and images, especially from classical European antiquity, in other places and times. At the time of his death in 1929, Warburg had been working on an immense project of cultural history, the Mnemosyne Atlas, or memory map, through which he hoped to trace the bewegtes leben, or "life in motion," of such images as they migrated through space and time. The Atlas was conceived as a set of panels (approx. 150 x 200 cm each, a total of sixty-three at the time of Warburg's death) made of wooden board covered with black cloth, on which Warburg arranged and re-arranged black-and-white photographs of his chosen images, together with other material like maps and manuscripts, numbered and ordered so as to create